PoetryMagazine.com Since 1996 Volume XXI
Poetry Review By Carol Smallwood
Compulsive Reader
May 4, 2017
http://www.compulsivereader.com
Kafka’s Shadow.
Judith Skillman. Deerbrook Editions, Cumberland, Maine. 77 pages;
$16.95; paperback. 2017. ISBN
978-0-9975051-4-6
https://www.amazon.com/Kafkas-Shadow-Judith-Skillman/dp/0997505141
A contemporary American woman poet takes on an awesome task when writing
about a male fiction writer in another era (1883-1924) composing in
German in what is now the Czech Republic. Judith Skillman, the recipient
of an Academy of American Poets and included in
Best Indie Verse of New England
is to be commended for this unique collection.
Franz Kafka had few works published during his life, yet his influence
spreads beyond literature to philosophy—his characters meeting bizarre
circumstances, alienation and absurdity. The title of the poetry
collection comes from one of Kafka’s letters and is also the title of
one of the poems.
Poems such as “Dearest” and “Felice Ponders” employ the point of view of
the woman who wants to be his wife, though Kafka never marries.
Skillman uses details like
bulgur wheat, her stiff collar, and a train ride from Prague to Berlin
to portray the couple’s relationship and culture. “Tuberculosis,” which
ends his life at 40, is written from Kafka’s point of view, with borscht
soup waiting to cool, his father sleeping in a chair, and the image “fat
pigeons sun themselves in winter light.”
There are several poems examining the relationship of Kafka and his
father through Biblical
allusions, most notably the story of Abraham sacrificing his son Isaac.
Kafka’s character and his world reveal themselves not unlike layers of
an onion. We feel we know them better with each poem. Three pages of
notes at the end of the collection include details such as the word
“pater” means father, as well as background quotes from Kafka’s many
letters.
It takes a lot of craftsmanship to have readers get inside the
personalities and the culture of the characters in poems based on
scholarship and detailed research—a huge task; all of the poems stick to
the topic of Kafka and explore aspects of his family and his times. The
last of the 47 free verse poems, “Kafka’s Nocturne,” uses revealing
lines in its penultimate stanza: “Rumination and obsession—/guests who
sit on the bed he won’t occupy/ with a lover….”
A multi-Pushcart nominee, Carol Smallwood’s
In Hubble’s Shadow (Shanti
Arts, 2017) is her 4th poetry collection;
Women on Poetry: Writing, Revising, Publishing and Teaching,
is on Poets & Writers Magazine
list of Best Books for Writers.
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