Since 1996 Volume XXII

Compulsive Reader  May 4, 2017



Kafka’s Shadow. Judith Skillman. Deerbrook Editions, Cumberland, Maine. 77 pages; $16.95; paperback. 2017.  ISBN 978-0-9975051-4-6




A contemporary American woman poet takes on an awesome task when writing about a male fiction writer in another era (1883-1924) composing in German in what is now the Czech Republic. Judith Skillman, the recipient of
an Academy of American Poets and included in Best Indie Verse of New England is to be commended for this unique collection.


Franz Kafka had few works published during his life, yet
his influence spreads beyond literature to philosophy—his characters meeting bizarre circumstances, alienation and absurdity. The title of the poetry collection comes from one of Kafka’s letters and is also the title of one of the poems.


Poems such as “Dearest” and “Felice Ponders” employ the point of view of the woman who wants to be his wife,
though Kafka never marries.  Skillman uses details like bulgur wheat, her stiff collar, and a train ride from Prague
to Berlin to portray the couple’s relationship and culture. “Tuberculosis,” which ends his life at 40, is written from Kafka’s point of view, with borscht soup waiting to cool,
his father sleeping in a chair, and the image “fat pigeons
sun themselves in winter light.”


There are several poems examining the relationship of K
afka and his  father through Biblical allusions, most notably the story of Abraham sacrificing his son Isaac. Kafka’s character and his world reveal themselves not unlike
layers of an onion. We feel we know them better with each poem. Three pages of notes at the end of the collection include details such as the word “pater” means father, as well as background quotes from Kafka’s many letters.


It takes a lot of craftsmanship to have readers get inside the personalities and the culture of the characters in poems based on scholarship and detailed research—a huge task;
all of the poems stick to the topic of Kafka and explore aspects of his family and his times. The last of the 47 free verse poems, “Kafka’s Nocturne,” uses revealing lines in i
ts penultimate stanza: “Rumination and obsession—
/guests who sit on the bed he won’t occupy/ with a


A multi-Pushcart nominee, Carol Smallwood’s In Hubble’s Shadow (Shanti Arts, 2017) is her 4th poetry collection; Women on Poetry: Writing, Revising, Publishing and Teaching, is on Poets & Writers Magazine list of Best Books for Writers.

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Mary Barnet


Grace Cavalieri

Joan Gelfand

Janet Brennan