Anita Gevaudan Byerly
USA

Anita Gevaudan Byerly, author of the chapbook,  OctoberLight (Finishing Line Press, 2008), is a resident of Pittsburgh, Pennsylvania. As a single parent, she raised two children while working as a secretary, and then went back to school at age fifty. She graduated summa cum laude from the University of Pittsburgh with a degree in English Writing. Byerly worked as Poet-in-Residence at St. Edmund’s Academy, an elementary school in Pittsburgh, for eight years. She is a Fellow of the Western Pennsylvania Writing Project, through which she taught at the Young Writer’s Institute at the University of Pittsburgh, and served on the editorial staff of Riverspeak.  She is also a member of the Squirrel Hill Poetry Workshop, the Pittsburgh and Pennsylvania Poetry Societies, and Tea Time Ladies, a performance poetry ensemble which performed in Pittsburgh and the surrounding area from 1992 -1998.

 Her honors include awards from In Pittsburgh Newsweekly, Negative Capability“Eve of St. Agnes,”  yawp, and the Westmoreland Arts and Heritage Festival. Byerly’s work has appeared in journals such as 5AM, The Ledge, Pittsburgh Post Gazette, Pittsburgh Quarterly, Loyalhanna Review, Earth's Daughters, the 1999 and 2000 Sandburg-Livesay Anthologies, the Pittsburgh anthology, Along These Rivers, and online at PoetryMagazine.com and poetrypoetry.net.  Byerly read from two of her poems in a recent short film by Tony Buba, Ode to a Steeltown.  In 2004, she was nominated for the Mary Roberts Rhinehart Award in Poetry.  Her first chapbook, Digging a Hole to China, was published in 2001.

 

Out of Focus

 

In the darkened room,

the vacuum becomes an intruder,

the ironing board, a ghost.

The hanging plant is a giant

flying insect, the lamp shade,

a Chinese coolie hat.

 

When my school friend calls,

I picture her at seventeen,

not an older woman,

frail from dialysis.

 

At eighty, my mother asked

if the people inside the TV

were talking to her.

She could see them;

they must see her, too.

 

In the foggy morning, trees blur,

become a choir of whispering nuns,

gray habits hiding naked limbs.

It is the edges that shift

and change with time.

 

When I glance into the mirror,

I see my mother’s face.

 

from October Light Chapbook, Finishing Line Press

 

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