Colleen Michaels
USA

Colleen Michaels' poems have been made into installations on shower curtains, bar coasters, and the stairs to Crane Beach in Ipswich, Massachusetts. Her most recent installation of her poetry, Line Break, with sculptor Lillian Harden, appeared at the Peabody Essex Museum as part of the 2014 Massachusetts Poetry Festival. Her work has been published in Barrelhouse, The Paterson Literary Review, The Museum of Americana, Mom Egg Review, Roar, Stoneboat, Meat for Tea, Hawai'i Review, and others. She received an Honorable Mention for the Allen Ginsberg Poetry Prize and was a finalist for the Split This Rock Poetry Contest. She directs the Writing Studio at Montserrat College of Art in Beverly, Massachusetts, where she hosts The Improbable Places Poetry Tour, bringing poetry to unlikely places like tattoo parlors, laundromats, and swimming pools. Yes, in the swimming pool. 
http://www.montserrat.edu/news/improbable_places_poetry_tour.php

Honorable Mention

 
For the sixth grade science fair
I decide to grow a spine.
It takes more work than I thought
and I have to dig around the house
scavenging from my family
what will become my vertebrae.

 
From my grandmothers sewing kit
I pocket spools of cotton thread
unraveling until they are clean bones.

 
While the other fair girls
build shrines to butterflies,
between these bones I sandwich
my fathers poker chips
by drilling through the center, 
of each red and white disk 

 
disks colored like the carnations
some girls will submerge in dyed water
to prove the inevitable blush,
a cross pollination of projects,
until all results are prom-dress pink.

 
To grow my spine of 24 bones,
I stack that from my father
on that from my mothers mother
string disk to spool with a fine filament.

 
The prize goes to the butterflies
but my spine hangs straight, suspended from skull,
casting an honorable shadow on the x-rays
my mother, a typist in radiology,  
brought home for support. 

 

The Pea Defends His Position

 
There are spiders who get 
to flush the sweet cheeks 
of hungry and idle girls 
trussed by pink ribbons. 

 
They are easy prey, palate
content with beige crocks, 
weighting down tuffets
until frightened away.
 
 
I dont want to work with
hooded girls who haplessly fall 
for the axe or fang in drag.
I am no big bad lady killer.

 
Dont stifle my small power 
on fools who cross bridges,
on rubes who start to doze 
after a few candied apples, 

 
grabbers of beanstalk, vine 
bower, tower length hair. 
Consider the smoke and mirrors 
to throw one midnight ball.

 
As applicant to irritate 
an insomniacs light slumber,
I worked on the commission 
of pleasure. She hired me. 

 
Theyll say she was the one to bruise
and I was her green starter for a prince. 
Those are just lies, thick mattresses.
She remembers my tender skin like spring.

 
Credit: appears in Modern Grimmoire: A Contemporary Anthology 
of Fairy Tales, Fables and Folklore (Indigo Ink Press, 2012)

 

 
---
 
We Are All Small Boats Floating Inward 

 
As fragile as it seems,
make the boat of paper. 
You know it might be done for,
up against more than you can imagine.
But go ahead - origami, birch bark canoe -
crease as suits the cut of your jib.
Send it out on one agreeable bobbing wave.
Give it to the spitting wind in storm season.
Turn away or look. But return quickly, 
before lightening lowers the boom 
or charges the scene in flattering light,
back through scrub pine, back home,
back to where you build your small craft.

 
 
---
Ursa Minor

 
In Boston a father would rather 
a son be a bear trapper 
or better yet a bear.
All claws and growl,
a ferocious boy
playing hockey and mauling.

 
But Bobby, my first affection,
was less Bruin, more teddy,  
scared of the hockey rink
his polar fumble on hard ice. 
He was to me a singular star.

 
A champion sweatshirt
over knuckle paw, 
nose always cold,
I wanted to give him my gamey girl heat
my leg warmers, my thick winter coat,
feed him with food from trees and picnic baskets.

 
The waiting for ice time early Saturday mornings
by grizzlies who hibernate in idling pick-ups,
mark their territory, leave a stale scent,
and deny all relation to constellations.

 
I think of how Bobbys father bought him 
all that equipment to bulk him up before the season -
suspenders, padded pants, steel blades, a mouth guard, a cup
and sent him out to the frozen tundra, open hunting

 
for bears who have no knowledge of the wild.
Bears pink and new and scared of other bears.
Bears with the eyes of dears before cars.
Bears whose padded bodies hang on the bones 
of a much smaller animal,
raised by Boston fathers, original carnivores, 
who yell from the den to toughen their young. 

 
Credit: first published in Constellations: 
A Journal of Poetry and Fiction (Vol. II, Fall 2012)

 
---

 
Six over Nine,
Felton House Bedroom Window, 1650

 
My sister has received new silk ribbons. 
Ive been learning to braid, to separate
the plaits of hair and pin them side to side.
At night I feel the chords within the bed,
eyelets sewn with enough rope to make a nest.

 
My sister sleeps next to me. She is teaching 
me to read the stars and smell when apples
are ready to be picked, a blush across
a honeycrisp in a September orchard.

 
I am not yet strong enough to lift the crate,
open the latch, lower our apples,
and stack them floor to ceiling under the barn
for mulling at Christmas.

 
My sister, Amy, tucked in tight says,
Pick just one and call it your own.
But I can only see the apples as stars,
find constellations in orchard.  I want
every story – Orion, Ursa Minor, The Three Sisters.

 
With our napes and ankles aligned in sister sleep,
I try to only whisper in our bed on frost nights
but my voice leaves evidence on the windowpane.

 
I want to be greedy at harvest, store nothing
under the barn. I want to eat to the core, 
chew seed and the star beds that held seeds.

 
At night, I loosen the ropes of the bed
sway and roll like clouds over moon,
like an apple free on the ground. 
 

 

 

© Copyright, 2014, Colleen Michaels.
All rights reserved.