PoetryMagazine.com

Tess Taylor

USA



Tess Taylor grew up in Berkeley, California, where she led youth garden programming at the Berkeley Youth Alternatives Community Garden and interned in the kitchen at Chez Panisse. In her twenties, she dropped out of Amherst College to become a translator and chef’s assistant at L’Ecole Ritz Escoffier in Paris. An avid gardener and cook, she is also an acclaimed poet. Her chapbook, The Misremembered World, was selected by Eavan Boland and published by the Poetry Society of America. Her work has appeared in The Atlantic, Boston Review, Harvard Review, The Times Literary Supplement, and The New Yorker. The San Francisco Chronicle called her first book, The Forage House, “stunning,” and it was a finalist for the Believer Poetry Award. Tess is currently the on air poetry reviewer for NPR’s All Things Considered and was most recently visiting professor of English and creative writing at Whittier College.

PECK SMALL TRACKS

Novitiate to the winter’s glaze
by day you weave your songs in white. 

Then dusk falls, rich Madonna blue.
Branches shuttle icy rosaries. 

Lights flare, swim the evening black.  
The page waits. Again you try 

to print a common thing: how this one day
slipped by—at dawn shadows bloomed 

then shrank by noon to pinnacles.  
Outside: the tree’s dark alphabet.

After rain, the field, a pockmarked carpet.
Beneath the ice some seed

holds code, waiting warmth to speak it. 
Now the night is ink, the field is wide:

you look to peck small tracks across it.

HARDENING OFF

Blond mornings stretch, 
naked sugar flashes. In the trees,  
a hundred shades of micro-green

refract tipping frequencies,
chlorophyll in bright chartreuses.  
In the greenhouse,

lettuces we’ve coddled,
kale that’s germinating
purplish gold—our speckled trout 

(o tender leggy phloem) explode out—
sporting cracked seed husks, toppled helmets. 
We turn off piped-in electric heat. 

We march them out to line the open dirt.  
They wait in flats outside all morning.
Cash crop. Green army.

We entrust them to the season. 
Weather them & set to digging.
Kneel & copy what the trees

are even now above us doing—
coax the sugar out of light.
Turn the light into the feast of leaving.

----


METHOD 
In the dirt you dig fragments.  
Turn them and ponder.

Weed chard. Forms
morph like clouds.

At lunch, you write down
how in this jungle

a gem-backed toad startled 
and hopped away—

how tiger lilies trumpet the sun.
In the bean patch brown spiders, 

egg sacs on their backs.
Toddling through shadows, 

sturdy & wobbling, they are
fragile, pregnant as summer now is—

---
SOLSTICE (LAKE)

Once again today our patron star
whose ancient vista is the long view

turns, full brightness now and here. 
We loll outdoors, sing, make fire.

We have no henge here but after
our swim, linger

by the pond. Dapples flicker
on the pine trunks by the water.

Buzz & hum & wing & song combine.
Light is monument to its own passing. 

Frogs content themselves in bullish chirps,
hoopskirt blossoms

on thimbleberries fall, peeper toads
hop, lazy— 

Apex. A throaty world sings ripen. 
The grove slips past the sun’s long kiss.

We dress. 
We head home in other starlight.  

Our earthly time is sweetening from this. 

---

SOIL BLACK 

Overcast in the fields
     meticulous labor

to rip the unwanted
haul weeds to the woods.

Wheelbarrows of waste.
The baby I planted this year
was only tissue. The botched ovum
did not grow, did not even sprout.

On the computer, its sac
was empty, soil black. 

I bow into absence. 
& yes I know

 many women have harder labors
strapped to the seasons

& to the children
strapped to their backs—

All poems are reprinted with permission from Work & Days by Tess Taylor, published by Red Hen Press. redhen.org/tess-taylor
PECK SMALL TRACKS

Novitiate to the winter’s glaze
by day you weave your songs in white. 

Then dusk falls, rich Madonna blue.
Branches shuttle icy rosaries. 

Lights flare, swim the evening black.  
The page waits. Again you try 

to print a common thing: how this one day
slipped by—at dawn shadows bloomed 

then shrank by noon to pinnacles.  
Outside: the tree’s dark alphabet.

After rain, the field, a pockmarked carpet.
Beneath the ice some seed

holds code, waiting warmth to speak it. 
Now the night is ink, the field is wide:

you look to peck small tracks across it.
---

HARDENING OFF

Blond mornings stretch, 
naked sugar flashes. In the trees,  
a hundred shades of micro-green

refract tipping frequencies,
chlorophyll in bright chartreuses.  
In the greenhouse,

lettuces we’ve coddled,
kale that’s germinating
purplish gold—our speckled trout 

(o tender leggy phloem) explode out—
sporting cracked seed husks, toppled helmets. 
We turn off piped-in electric heat. 

We march them out to line the open dirt.  
They wait in flats outside all morning.
Cash crop. Green army.

We entrust them to the season. 
Weather them & set to digging.
Kneel & copy what the trees

are even now above us doing—
coax the sugar out of light.
Turn the light into the feast of leaving.

----


METHOD 
In the dirt you dig fragments.  
Turn them and ponder.

Weed chard. Forms
morph like clouds.

At lunch, you write down
how in this jungle

a gem-backed toad startled 
and hopped away—

how tiger lilies trumpet the sun.
In the bean patch brown spiders, 

egg sacs on their backs.
Toddling through shadows, 

sturdy & wobbling, they are
fragile, pregnant as summer now is—

---
SOLSTICE (LAKE)

Once again today our patron star
whose ancient vista is the long view

turns, full brightness now and here. 
We loll outdoors, sing, make fire.

We have no henge here but after
our swim, linger

by the pond. Dapples flicker
on the pine trunks by the water.

Buzz & hum & wing & song combine.
Light is monument to its own passing. 

Frogs content themselves in bullish chirps,
hoopskirt blossoms

on thimbleberries fall, peeper toads
hop, lazy— 

Apex. A throaty world sings ripen. 
The grove slips past the sun’s long kiss.

We dress. 
We head home in other starlight.  

Our earthly time is sweetening from this. 

---

SOIL BLACK 

Overcast in the fields
     meticulous labor

to rip the unwanted
haul weeds to the woods.

Wheelbarrows of waste.
The baby I planted this year
was only tissue. The botched ovum
did not grow, did not even sprout.

On the computer, its sac
was empty, soil black. 

I bow into absence. 
& yes I know

 many women have harder labors
strapped to the seasons

& to the children
strapped to their backs—

All poems are reprinted with permission from Work & Days 
by Tess Taylor, published by Red Hen Press. redhen.org/tess-taylor

© Copyright, 2016, Tess Taylor.
All rights reserved.